Natascha McElhone names Katherine Hepburn as an inspirational figure for both herself and women generally.
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William Friedkin talks about the problems of casting the possessed girl in The Exorcist and reminisces about meeting Linda Blair.
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Wes Anderson talks about his influences as well as the way he constructs his stories and working with the same people.
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Stephen Fry relates Hollywoods Golden Age to the history of MGM and examines Cedric Gibbons contribution to the look of the studio.
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The actress chats about her experience of working with Robert DeNiro and emphasises the importance of having a good script.
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Stephen Fry remembers the bizarre and unnerving aesthetic of The Wizard of Oz.
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Zoe Ball discusses her film Always Crashing in the Same Car and working with Paul McGann and Richard E. Grant as well as why short films are so important and what makes a great short film.
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The director draws attention to the importance of violence and the family unit in Gangs of New York.
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Billy Crystal reminisces about his childhood interest in comedy and performance as well as his love of Laurel and Hardy.
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Director Terry Gilliam speaks about working with Robert DeNiro on Brazil and the subtlety of his acting style.
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The director acknowledges the financial and creative contribution of George Harrison to The Life of Brian.
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Billy Crystal analyses the aggressive nature of contemporary comedy and how this effects films such as City Slickers and Four Weddings and a Funeral.
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Ian McKellen voices his respect for European actors and suggests that the dominating influence of Hollywood on western film has lead to a misperception that the only great film actors are American.
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Terry Gilliam discusses the collaborative nature of film, working with studio executives and compromising with the studios.
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Billy Crystal talks about the excitement he felt as a child when he first saw musicals like West Side Story and The Wizard of Oz.
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